This comes after MDNtv reported on Wednesday that the Makoti hitmaker recently announced that he established his own record label called Black Bird Entertainment.

On Wednesday he further announced that he was going to release his first single under it.

Confirming the news of his departure from Inkabi, Mduduzi wrote:

“A great pleasure it has been working at Inkabi records but today we chose to part ways. It has been a great journey and Mduduzi Ncube’s brand has elevated and established to greater heights. I wanna thank Big Zulu for such a huge opportunity and believing in me and also in nurturing and building this brand and also his team but now i have to venture in my own journey and embrace new opportunities thank you.”

In a statement released by Inkabi Records on Thursday, the company confirmed that they were parting ways with Mduduzi.

“As Inkabi Records, we would like to declare that we are officially releasing Mduduzi Ncube from his recording contract, effective 5 March 2026.

All recordings released under Inkabi Records will remain the property of Inkabi Records as the copyright and master holder.

“Mduduzi Ncube is free to explore other recording, management, and publishing opportunities outside of Inkabi Records. Inkabi Records will continue to administer the publishing rights of all records previously recorded under the label. Mduduzi will continue to earn royalties from all recordings released under Inkabi Records,” the statement reads.

The statement said that the Master Royalty earnings to Mduduzi is 40% and Publishing Royalty to Mduduzi is 70%.

“Inkabi Records holds the right to license or sell its recording catalog to a third party, and if such occurs, a fee at Inkabi Records’ discretion will be paid to Mduduzi Ncube,” it reads.

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Real name Nomcebo Mthethwa from Empangeni in the North of KwaZulu Natal (KZN), Nomcebo Dot is making a comeback with an album titled My Journey.

“I took a break to focus on personal growth and explore different creative avenues. “The Journey” is my debut album, and it’s a reflection of my experiences and growth, and prophetic worshiper . I worked with various producers from all over Africa, and the album blends Gospel with other genres. It’s a soulful and introspective project that showcases my evolution as an artist,” she said.

Nomcebo said My Journey was more about personal and vulnerable.

“This album is more personal and vulnerable. I’ve experimented with different sounds and themes, making it a true representation of my artistry. Now that I know my identity, things are different. I’m equipped by the kingdom of God for a greater mission and purpose, walking through life with God has changed me and this project is true reflection of that,” she said.

Nomcebo Dot who is a qualified Actress, Film and TV Director said acting on SABC 1’s Amalanga Awafani drama where she was playing the role Nodoli was a blessing.

“I auditioned for Uzalo and got the role. Amalanga Awafani I saw auditions online and took of leap of faith only to find they’ve been looking for someone that actually looks like a doll in real life, I did auditions, self tapes and that’s how I landed the biggest role in my acting career.

Talking about her future plans, she said:

“I see myself growing as an artist, releasing more music, and exploring international collaborations as Iam scheduled to tour the world this year. Performing in Dubai and nominated in more than 7 countries outside of South Africa.”

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Real name Angel Mkhwanazi from Hendrina in Mpumalanga but now who is based in Ormonde View in the South of Johannesburg shared her chilling story of how her grandmother influenced her music career.

“My passion of singing when I was seven years old. I used to like joining school and church choirs where I used that as an opportunity to express my talent. Since I was raised by my grandmother, I used to love to sing for her. And you could see from her face when I continue singing that she was enjoying my singing. It was very fun having her around but then God had other plans for her,” she said.

Angel said her grandmother passed away in December 2020.

” I was left all alone, with no one to replace her space in my heart. Well, I took the little money that was left and came to Joburg. Believe me when I say I knew no one in Joburg. When I rode the taxi to Orlando I rode it not knowing where I was going, but I told myself that Joburg was my only option where I’ll be able to pursue my dreams of being a singer.

I met a lady on the taxi to Orlando and I told her my situation. With her gold heart, she took me to her mothers’ house and told her mother about me, that I didn’t have a place to sleep. Her mother as well, with her warm heart took me inside her house and treated me like one of her children,” she said.

Angel is balancing her music career and her waitressing job to make ends meet.

“I saved some of the money I was earning for studio fees. Well, I wasn’t exactly sure where I was gonna find a recording studio as Joburg is a really big place but by God’s grace, I met people who managed to plug me to the right people,” she said.

She said the Can’t Stop Dancin is produced by popular Producer Dj Aiburn Sounds who has worked with Makhadzi, Mr Brown, John Delinger, Lady Zamar to mention the few.

” I recorded my song with them and is now ready for distribution. The song is entitled, “Can’t Stop Dancin”. I’m a person that loves to sing and dance, so that’s why I chose a pop genre where I’ll be singing and dancing with my fans. As I’ll be releasing Can’t Stop Dancin’ on the 20th, fans can pre-save the song on their spotify account,”she said.

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Real name Nokwanda Zulu (21) from Madwaleni in Nquthu in the Midlands of KwaZulu-Natal (KZN), Okwanda is grateful to be born and bred in the area which is rich with legendary maskandi artists.

Okwanda who is very proud of being a rural girl from Madwaleni in Nquthu but who is now based in Moddernfontein in Johannesburg.

She said that working with both Musiholiq and Sir Trill was a dream come true for her and her latest single titled Confession will prove her arrival in the music industry.

Okwanda and Sir Trill team up in early November and released a song called Phatha Phatha.

“It was very exciting and working with them was a dream come true. Sir Trill is one of the people who motivated me to become another top artist in the country while Musiholiq is very passionate in what he does an treats me like his younger sister. I’m grateful that I approached him and he has given me the opportunity to live my dream,” she said.

Okwanda who grew up under the guardianship of both her parents said that she always knew that one day she will make it as a musician.

“I was brought up with respect and humility. My father and mother made sure that they preach respect and that that education comes first. My family is everything to me, they supported me from day one. I’m still blessed that I still have all my both mother and father my relatives,” she said.

Okwanda said that on Friday she will release another single titled Confession under First Class Entertainment which is owned by Inkabi Records artist MusiholiQ.

“I’m not here to compete with anyone. The cake is big for all us to feed into it. We just have to give each other a chance to do what we do best which is singing. I’m very proud of being born and bred in Nquthu because everything that I know today I learnt it back at home. I started writing and singing at a young age. When I turned 15, I realized that I have to stop writing and singing in English.

“This is when I decided that I use my mother tongue. It is working big time for me and people love my music. I’m over the moon. I found a family value and respect my background and I’m what I am today because of thw teachings from Nquthu. Confessionis a song about two people who are friends and one of them want to confess their feelings towards the other. It’s just motivating other to speak up if they have feelings for their friends,” she said.

Okwanda wants to also pursue a career as the Mechanical Engineer in 2026 while owning the stage.

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Marking a powerful new chapter, this is her first official release under her own label ‘AttaGirl Music Group’, and the title couldn’t be more fitting.

“Higher” is an uplifting anthem, a motivational tribute to the unseen forces, inner strength, and divine energy that continue to elevate us beyond limitations. It’s a celebration of growth, purpose, and rising into new levels of being.

Blending the electrifying Afro-tech beats from Kenza with Nana’s soul-touching lyrics that express gratitude and joy, this is definitely a combination that will make you have this jam on repeat.

While fans (old and new) indulge in Nana’s new music offering, they can also be excited to learn that she has an upcoming album that will be released soon.

Higher is out on all streaming platforms

https://awal.ffm.to/higher

Download Assets

[HIGHER PROMO ASSETS]

ABOUT NANA ATTA

Nana Atta (real name Sinenhlanhla Mthembu) is a dynamic and seasoned vocalist and songwriter from KwaZulu-Natal, with over 15 years of experience in the entertainment industry. Her sonic palette spans R&B, Afro-Pop, AfroHouse, and AfroTech, making her one of South Africa’s most versatile talents.

Known for her bold lyrics, powerful vocal range, and captivating stage presence, Nana Atta’s live performances are soulful, energetic, and unforgettable. Her songwriting capabilities, honed over years of collaboration and creative development, have led her to work with some of the industry’s most respected names — Zakes Bantwini, Sun-El Musician, Da Capo, Mo Black, Thandi Draai, K.O., and others.

As a featured artist, Nana contributed her distinctive voice to:

“Osama” by Zakes Bantwini & Kasango — #1 on SA radio for 11 weeks, platinum status

“iMali” by Karyendasoul & Zakes Bantwini — #8 radio debut, climbed to #1

“Say You Will” with Nandi Madida & K.O.

She has graced the stage with icons such as Riky Rick, Lira, Ringo Madlingozi, among others.

A career highlight includes being selected for She Is The Music, an initiative led by Alicia Keys with industry legends Ann Mincieli and Sam Kirby, celebrating pioneering women in music.

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